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Midsommar

Nick Leamy • Aug 20, 2019

How a Great Modern Movie Reminded Me of Some 80s Schlock

Midsommar and American Gothic
Early this month, Ari Aster released Midsommar. My friends, Eric and Jake, and I were very excited because we had all been big fans of Aster’s work with Hereditary. I still remember the first time I watched Hereditary. Jake and Eric had seen it in the theater. I was unable to make it that night and they were eager to rewatch it with me. One late night at Jake’s, we set up the movie with popcorn and dug in. It was terrifying. It also happened to be hilarious at times.

The most memorable moment of that night’s viewing was one particular scene. I have zero intention of spoiling it for anyone. That being said, I found myself on the edge of my seat, gripping a pillow I was so into the moment. Later I would learn that the two of them stopped watching the movie for this one moment and just watched me. Their attentions were rewarded when I audibly yawped and jumped out of my seat. The movie did not disappoint anyone.

Midsommar, a 2019 horror film
So, that experience made us instant fans. It was the first movie Aster had released that was not a short, and it was a smash hit in our opinion. So, when we heard he had another film called Midsommar coming out, we knew what we were doing opening week. To increase the fun of it all, it happened to coincide with Eric’s birthday that week. The three of us went out for a nice dinner and then raided the movie theater ready to see what Mr. Aster had for us next. We were most pleased.

Midsommar is one of those movies that has the power and subtlety to put you on edge, and then keep you there, even when you are not exactly sure how. Then, that tension is proven warranted time and time again. It is horror in broad daylight. It is beautifully shot, well acted and just very fun. Not sure if I produced the same audible yawp that Hereditary gave me, but I left with a smile on my face.

 ***SPOILER WARNING*** 


Going forward, I’m going to be getting into some specifics. For you kids at home who hate spoilers like I do, please put your trays in the upright position and prepare for an early landing.

Midsommar starts off with a college woman who is worried about her sister. This is used to establish two things. First, it erroneously sets her up as this overly sensitive figure who leans on her boyfriend too much. She’s the troubled one, right? No way it’s he who is unsupportive, gaslighting, and has framed her in an awful light for his friends. Noooooo! He’s such a douchebag. 

This sister situation also sets up the first terrifying scene of the movie where the sister offs herself, and their parents. This horrific moment sets up why her boyfriend has not left her yet, and why she goes on a trip to Sweden with him and his friends. In the course of the movie, his awfulness is exposed, and she chooses the small village’s unique ways over him.

It suddenly occurred to me that this felt somewhat familiar. I have watched a lot of horror movies in my time. Some good. Some bad. Some that have made me question the decisions I have made in my life. As such, I sometimes make connections that other sane people tend to not have to make in their lives. In that vein, Midsommar caused me to remember a movie called American Gothic.
American Gothic, a 1988 horror film
American Gothic is a 1988 horror movie starring Oscar winner Rod Steiger, and TV legend Yvonne De Carlo. Two wonderful people who made…. this movie. I would not say it is awful, but it is hard for me to ever actually say that about any movie. The only way for me to truly hate a film are for it to break its own rules, have large gaps in continuity that are never explained, or for it to sound like it was audio recorded in a bathroom. But, I digress.

The short version of American Gothic is Cynthia is a mother whose baby dies. She is distraught and institutionalized. Shortly after being released, her friends decide they want to take her on a vacation to try and get her mind off her troubles and past. They are forced to land their plane on a deserted island where they come across a cabin where two award winning parents live with their three full grown psychopathic sons who act and are treated like small kids. One by one the friends are killed off and Cynthia snaps! She drinks the kool-aid and goes full native with the family. She eventually goes full psychopath and is the last woman standing.

Family distress. Trip to unknown territories. Losing friends one by one. Finally snapping and going native.

The 80s had a strong theme running through most of its horror. If you tread off the beaten path, you will find the modern day savages of our society and they will devour you one way or another. It was neat to see the root of this theme in Ari Aster’s work, yet fully modernized. Midsommar takes the modern day savage motif and turns it into a result of culture shock. This is no longer about taking a wrong turn, and then paying for youthful ignorance. This is now college students egos and pride causing them to willing walk into their doom. That same pride resulting in them abusing and mistreating those closest to them. This same hubris causing them to be chosen for the sacrifice.

Midsommar is a brilliant representation of classic horror in modern times. I can’t wait to see what Ari Aster has to offer next. If you haven’t seen it yet, make it happen. I’d love to hear what you think about it.


Jacob Jones-Goldstein

NICK LEAMY

Author, Historian


Nicholas Leamy is a well-known miscreant who has lived in Northern Delaware all his life. Working as a supervisor for a web hosting data center, with a B.S. in Computer Science, he is well outside his wheelhouse when it comes to writing fiction. He has decided, however, that his minor in philosophy makes him interesting enough to pull it off. He also happens to be a lover of board games, horror movies, and anything bizarre.  


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